Nigo & James Lavelle 1997 Japan Interview Translated

Japanese Reading Difficulty

7/12 Could be read by 7th grade level student in Japan

Themes

Japanese Street Culture, Japanese Hip Hope

Text Type

Magazine Article

You may know the Japanese clothing designer and DJ Nigo from his work with his clothing brand BAPE or his associations with artists such as Kanye West or Pharrell Williams. You may also know James Lavelle from his work as a musician and label owner working with the likes of DJ shadow, Mike D and Thom Yorke.

We’ve written about the general history of Bape, Major Force label, Tiny Punks/Panx here. Today we’ve translated an interview that Nigo and James did in a Japanese magazine in 1997.

SCENE 1:ウェンディーズ前。
NIGOとジェームス・ラヴェル。 かたや東京でいちばん刺激的なウェア・ブランド、 ベイジング・エイプの。かたやロンドンでいちばん 完激的なレーベル、モ・ワックスの。2人は若きジ ニネラルである。そんな2人が同じテーブルについ て話し始める―いったい何を? 経営をめぐる社対談? そうではない。これから始まるのは、2 人のルーツをめぐる対話。この8月から本格的に日 本国内でのディストリビューションを開始したモ・ ワックスからユニークな企画盤がリリースされるの知っているだろうか。『APE V.S. MO’WAX』。 NGOとジェームス・ラヴェルが各自モ・ワックスの 音源からチョイスした計20曲が、“NIGO’S DISC” “JAMES’S DISC” という形にまとめられた2枚のコンピレーションCDだ。まったく違うジャンル のプロフェッショナル同士の、思わぬ形での共演。
こうした作業を可能にしたのは、やはり2人の間に 共通する何かがあるからに違いない。それはいった い何なのか?
エイプの立ち上げとモ・ワックスの立ち上げっ ていうのは、ほぼ同時期ですか? . NIGO「いや、多分ね、ジェームスのほうが1年以上 早い。僕は原宿にノーウェアを開いたのが93年の4 月。で、ベイジング・エイプっていうブランドを始 めたのが93年の9月」
ジェームス「いや、僕は92年のクリスマスにモ・ワ ックスを作った。今年の12月で丸5年」
その頃から、お互い知ってました?
NIGO「うん、知ってましたよ。初めて会ったのは4 年くらい前? なんかちょっと意見が食い違うんで すけど(笑)」
ジェームス「最初に会ったのはロンドンなんだよ」
NIGO「覚えてない(笑)」 ジェームス「それはね、ほんとにパッと一瞬だけし か顔を合わせなかったせいだよ」
NIGO「僕が覚えてるのは東京で。いきなり彼が僕 の携帯を鳴らして、で、会おうと。すぐ近くのウェ ンディーズの前で待ち合わせして(笑)」
ジェームス「うん、そう(笑)。日本に行ったら絶対 にNIGOの服が買いたかったから」
NIGO「あげましたけど(笑)」。

ジェームスさんは、どうしてNIGOさんのこと を知ってたんですか?
ジェームス「ロンドンで服のディストリビューショ ンをやってる友達がエイプのTシャツを見せてくれ たんだよ。そしたらそこに“LAST ORGY”って書 いてある。『おい!! “LAST ORGY” って言ったらタイニーパンクスのレコードの名前じゃないか! 何だこれは!?』って。もう絶対に欲しいと思った。 とにかく僕はメジャーフォースのレコード全部持っ ていたから」
僕らは興味の対象が似ている。だから とにかくNIGOと何か作りたかったんだ。

SCENE 2: メジャーフォース!
キーワードはメジャーフォース。88年、東京で高 木完と藤原ヒロシのタイニーパンクス、中西俊夫、 工藤昌之、屋敷豪太の5人によって設立され、12イ ンチを中心としたリリース、さらに海外のヒップホ ッパーとの交流など独自の活動を展開したレーベル。 ちなみに「LAST ORGY」とはレーベル第1弾作品 としてリリースされたタイニーパンクスのシングル。 雑誌『宝島』で同じく「LAST ORGY」という連載 を持っていたタイニーパンクスであるが、前述のジ ェームスの発言は、このシングルのことを指してい ると、以上が概略。メジャーフォース”。その存 在が2人をつなげる直接のきっかけになったのだ。
ーNIGOさんはもちろんメジャーフォースのレコ ードは当たり前に買ってたんですよね。
NIGO「もちろん。高2、高3とかそのくらいかな。 隔週ペースで東京に来たりして買ってましたね」
でも、ロンドンにいるジェームスさんはどうや ってメジャーフォースのことを知ったんですか?
ジェームス「僕は学校をやめて15歳ぐらいからレコ ード・ショップで働いてたんだけど、当時ロンドン で人気のあったローニン・レーベルに友達がいたん だよ。で、ある時ローニンのスタッフがDJツアー で日本に行って、たくさんレコードを買って帰って きたんだ。それが友達経由で僕のところに回ってき た中に、何枚か入ってたんだよね、メジャーフォー スのレコードが。それがファースト・コンタクト。 もう、すぐに魅了されたよ!! どれも驚くほど素晴 らしかった。もともと僕はカラテとかカンフーをや ってたせいもあって……」
―え!?(笑)
ジェームス「小さい頃からやってたんだけど(笑)、 とてもアジアの文化に興味があったからね。そうい ったこともあって、なんとかしてメジャーフォース のレコードを手に入れようとしたんだ」
ジェームス「僕は16歳から“オネスト・ジョンズ” っていうレコード・ショップで働いてたんだけど、 そこは当時ロンドンでいちばんいい店で、よく日本 人のバイヤーがレアなファンクとかソウルを買い付 けにきてたんだ。そういう連中をつかまえては“メ ジャーフォースのレコードとトレードしよう!”っ て言ってた。とにかく片っ端から言ってた」
それが意外な出会いへとつながっていくのだから 面白い。
ジェームス「ある日、店に入ってきた2人の日本人 にタイクーントッシュ(中西俊夫)の12インチ を探してるんだ”って言ったんだ。そしたら片方の 男がさ、“オレがタイクーン・トッシュだ”って言っ たんだよ(笑)。トッシュとクドー(工藤昌之)だっ たんだ。もう信じられなかったね! 慌ててレコー ドをくれって頼んだら“あいにく持ってないんだ” って言われちゃったんだけど。でもそれが縁で、 日本に行った時にファイル・レコードの人を紹介し てもらったりした。いつもレコードくれ!”って 言ってたから嫌がられてたみたいだけど(笑)」
現在はメジャーフォース・ウェストとしてロンド ンを拠点に活動する中西俊夫と工藤昌之とのいささかできすぎた出会いが、ジェームスと東京とを結び 付け、やがてはNIGOとの出会いにまでつながって いく。まさにルーツとしてのメジャーフォース”。 直接的な出会いのきっかけとしても、感覚的な部分 でも、2人にとってその存在は大きい。では2人が 選ぶメジャーフォースのベスト・トラックは?
NIGO「うーん、なんだろ。『LAST ORGY』かな」 ジェームス「RETURN OF THE ORIGINAL ART FORM』。すべてのレコードの中でベストの1 枚だよ。それに当時イギリスのアンダーグラウン ド・シーンでこの曲は爆発的にヒットしたんだ」
ジェームス「僕らは興味の対象が似ているし、 NIGOにはこのCDを作ることで“キミもモ・ワック スの一員だ”って言いたかった。NIGOが僕をエイプ の一員とみなしてくれるように」 NIGO「僕ら、けっこう似てるかなって気はしますね」
どちらも今では再発CDで容易に聴くことができ る。ぜひトライしてみてほしい。

どちらも今では再発CDで容易に聴くことができ る。ぜひトライしてみてほしい。
SCENE 3: アンド・ナウ。

そして現在。東京とロンドン、ウェアと音楽。立 っている場所は違えども同じルーツを持つNIGOと ジェームス・ラヴェルの初めての共同プロジェクト が、冒頭で触れた『APE V.S. MO’WAXだ。ここ から見える2人の関係性とは……。
――そもそもこのCDを作ろうっていう話は、どっ ちが言いだしたんですか? NIGO「ジェームスのほうからですね。基本的に、僕 はこれはやらなくてもいいことなんですよ(笑)」 ジェームス「僕はとにかくNIGOと何かがやりたか った。今までにないやつを。このCDはお互いが得 意分野をいかして、その要素をすべて盛り込んだ、 ある意味マッドなプロジェクトだね」
マッドな(笑)。
ジェームス「今回NIGOと1曲共作してるんだけど、 そういうことも含めて今までにないコンピレーショ ンになっていると思う」
NIGOさん、ドラム叩いてるんですよね。
NIGO「まぁ一応(笑)。ロンドンに行って2日間で 録って。本当はもうちょっといたかったんだけど」
やっぱり服作りとは違うところが面白い?
NIGO「いや、なんかね、服を作るのと似てますよ。 昔、チャックDが“サンプリング・スポーツ”って 言葉使ってたじゃないですか。完ちゃんもよく言っ てたし。うん、そういうノリで。服も似てる」
小難しい“引用”ではなく、フィジカルなサン プリング・スポーツ”。ジャンルを越えてNIGOとジ ェームスが共鳴しあうクリエイティビティのスタイ ルを、これほど端的に言い当てる言葉もない。
ジェームス「僕らは興味の対象が似ているし、 NIGOにはこのCDを作ることで“キミもモ・ワック スの一員だ”って言いたかった。NIGOが僕をエイプ の一員とみなしてくれるように」 NIGO「僕ら、けっこう似てるかなって気はしますね」
ルーツをめぐる2人の関係は続く。

Scene 1 At the front of Wendy’s
Nigo and James Lavelle.
One is the most cutting edge clothing brand in Tokyo, Bathing Ape. The other is the most impactful label in London, Mo wax. Each is a Young General. Two people of such stature sit at one table and start to talk. What on earth do they talk about? Do they talk matters of company management? No. What ensues is a discussion of their mutual roots. Let me start by asking, are you aware of the unique record, organised by Mo wax, that is scheduled for major distribution domestically in Japan from August, “Ape V.S. Mo’Wax”? It is a two disc compilation CD, in the form of “Nigo’s Disk” and “James’ Disk”, of their own selections from the Mo’Wax catalogue. It represents an unexpected collaboration between two professionals from completely different fields.
Surely, it can only be a collaboration made possible by some kind of shared common ground between the two. So what is it that they have in common?
Were Ape and Mo Mo’Wax launched around the same time?
Nigo: Well, I think so. James was about a year earlier. I had Nowhere in Shinjuku in April of 1993. Then I launched the Bathing Ape brand in September ‘93.
James: I made Mo’Wax Christmas 92. In December this year it will have been just on five years.
Have you known each other from around that time?
Nigo: Yes, we have. I think we met around four years ago? I think we might have a difference of opinion on that though (LOL).
James: We first met in London.
Nigo: I don’t remember.
James: That’s because we only really crossed paths for a moment.
Nigo: I remember Tokyo. Out of the blue, I get a call from him saying “let’s meet up”. We met up at a Wendys nearby.
James: True. I’d been thinking when I went to Japan I definitely wanted to buy some of Nigo’s clothes.
Nigo: Well, actually I gave you the clothes.
How did you hear about Nigo James?
James: A friend who does clothing distribution in London showed me an Ape T-Shirt. It had “Last Orgy” written on it and I was like “Hey, that’s a Tiny Punks record! What is this?”
I thought, “I have to have this”. After all, I owned all the Major Force records.
The keyword here is Major Force. Major Force is a label begun by five people; Kan Takagi and Hiroshi Fujiwara from Tiny Punks, Toshio Nakaishi, Masayuki Kudo, Gouta Yashiki. Focusing on 12 inch releases, the label was in contact with hip hoppers from overseas whilst carrying on their own original practice. We should add that “Last Orgy” was the name of the first release from the label by the group Tiny Punks. Tiny Punks also had a column of the same name in the Magazine Takarajima but James is referring to the single release in the above. Major Force. That is the force that binds the two together.

Of course you were buying Major Force records also Nigo?

Of course. It would have been around 2nd and 3rd year of high school I think. I was coming to Tokyo every couple of weeks to buy them.

But how did you hear about Major Force in London James?

James: I quit High School around 15 and started working in a record shop. I had a friend who was part of Ronin Label, which was popular at the time. Then one of the Ronin people went to Japan on a DJ tour and came back with a whole lot of records they had bought. They came around to me via a friend. That was my first contact. It had an instant impact. All of them were shockingly good. I also had a background in Karate and Kung Fu.
-What.
James: I had been doing that since I was a kid, because I was really interested in Asian culture. So I really wanted to get my hands on the Major Force records.

James: From the age of 16 I worked in a record shop called Honest Jon’s, which was the best shop in London at the time. Japanese people often came to buy rare funk and soul records. I would pounce on those people and say “do me a trade for some Major Force records”.

That was fun because it would lead to getting to know some unexpected people.

James: One day, a couple of Japanese people came to the shop saying they were looking for a 12 inch of Tycoon Tosh. Then one of them says, “I’m Tycoon Tosh”. That was Tosh and Kudo. I couldn’t believe it. I hurriedly asked if he had any records and he said “Unfortunately, i don’t have any with me”. But through that connection, When I went to japan I was able to get an introduction to File Records. Because I was always asking them for records, I think I got on their nerves though.

Having almost too easily hooked up with Nakanishi Toshio and Kudo who were now based in London, James connected with Tokyo, eventually leading to his meeting Nigo. He had found himself at the very origins of Major Force. Major Force presented the direct opportunity for the two to meet, and an important middle ground of a shared sensibility. So what Major Force track does each choose as their favourite?

Nigo: Hmmm, I wonder. Maybe Last Orgy.
James: Return of the Original Art Form. That is my favorite record of them all. That track was already a smash hit in the London Underground Scene at the time.
Both are easy to find on CD reissue now. We urge you to give them a try.

Scene 3: And Now
And Now. Tokyo and London, clothing and music. Standing in different locations, but having shared roots, Nigo and James Lavelle embark on their first project together – the “Ape V.S. Mo’Wax. What can we see about the two people’s relationship from here?” that we touched on at the start of this article

So who was the one to say “let’s make a CD” in the first place?
Nigo: That was James. Fundamentally, for me this is something we don’t need to do (LOL).
James: I just wanted to do something with Nigo. Something that hadn’t been done before. This CD is a combination of our strengths, a blend of all of those elements. In a way, it’s quite a mad project.

“Mad” (LOL)
James: I’m working on a track with Nigo at the moment, so including things like that, this is a compilation like that nothing that has gone before.
Nigo, you’re playing the drums right?
Nigo: Well, I guess so. I went to London and we recorded in two days. Really, I wanted to go for longer.
I’m guessing making is interesting in that it is different from making clothes?
Nigo: Actually I would say that it’s quite similar to making clothes. In the past Chuck D has talked about “Sampling Sport” right? Kan often said the same thing. So, I guess it’s like that. Clothes are similar.
Not a difficult quotation, but a physical “Sampling sport”. Transcending genre, there is no better phrase to unequivocally use about Nigo and James’ symbiotic creative style.
James: Our interests are similar and with this CD I wanted to say to Nigo “you’re one of the Mo’ Wax family too. And I want Nigo to see me as one of the Ape family too.
Nigo: I feel like we are really pretty similar.
From shared roots, the pair’s relationship continues.

Language Learning Program Reviews

Graded Japanese Reading Practice

Hana Kimura, Her Mother’s Petition and The Rigging of Terrace House

we translate an article from the Shukan Bunshun that outlines how Hana Kimura’s mother, Kyoko Kimura, is petitioning Japan’s broadcasting watchdog to examine how the show Terrace House was set up in a way that ultimately led to Hana’s demise.

Along with the text, we read the article in Japanese, then in English, then sentence by sentence in both languages.

Read More »

Japanoscope is a registered affiliate with several online shops and may receive a commission when you click on some of the links within content.

Who is behind this site?

I’m Peter Joseph Head. I lived in Japan for four years as a student at Kyoto City University of the Arts and on working holiday. I have toured the country six times playing music and speak Japanese (JLPT N1).

ピータージョセフヘッドです。3年間京都市立芸大の大学院として、一年間ワーキングホリデーとして日本に住み、6回日本で音楽ツアーをし、日本語能力試験で1級を取得しました。要するに日本好きです。

In 1995 there were still new Last Orgy 2 t-shirts produced, as well as a new Last Orgy song.

 

Record on Amazon

In the 1990’s James Lavelle had started the Mo’ Wax record label in England and collaborated with the Japanese label Major Force, eventually re-releasing most of their catalogue to a wider audience. Through his friendship with Major Force, Lavelle soon met Nigo and the pair became friends, with Lavelle soon inviting Nigo to record in the Mo’ Wax studios in London. This collaboration would eventuate in Nigo’s debut album Ape Sounds, a mix of hip hop and rock similar to Lavelle’s own UNKLE project. Nigo also collaborated with Lavelle on the Planet of The Apes inspired song Ape Shall Never Kill Ape, which featured members of Major Force, UNKLE, Nigo, and UK turntablists The Scratch Perverts all on one song.

During this period Lavelle also released a song called Last Orgy 3, which featured Takagi Kan rapping much like on the original Tiny Panx song which had released almost ten years previously in 1988. Last Orgy 3 first appeared in 1997 on a mix CD by Nigo and James Lavelle titled A Bathing Ape Vs Mo’Wax, and was later released on CD and Vinyl with several remixes in 1998.

Last Orgy 4…and beyond.

The final Last Orgy so far, Last Orgy Four was a t-shirt collection released around 2000, and is the only Last Orgy to have been released without an associated magazine column, tv series, or song sharing its title. Around this time Nigo and Jonio were contributing a column titled 4lom to Smart magazine, which was similar to Last Orgy and had begun in 1996 and continued in to the 2000’s, while Nigo also contributed his General’s Seminar columns to Relax magazine for several years in the early 2000’s.

Image: Last Orgy shoe

Alongside the 2009 re-release of the Last Orgy jacket was a Last Orgy shoe which released in 2010. The shoes were a collaboration with Nigo’s BAPE company and featured their Bapesta shoe design. Since then there has been little news of further Last Orgy lines, but the brands close ties to BAPE may be one of the reasons for the draught, as in 2013 Nigo left BAPE and is now working with the Japanese brand Uniqlo. 

But what of the original Last Orgy creators, Hiroshi Fujiwara and Takagi Kan? Both of the original Tiny Panx have continued to work in their respective fields, with Fujiwara regarded as an important part of the Japanese fashion world, with his career recounted in two large English language books from publisher Rizzoli.

Meanwhile Kan continues to release music with Major Force, and in 2020 he has been putting on live performances via his Instagram page while the world has been locked down during the Corona Virus pandemic.

Further Reading:

Ametora: How Japan Saved American Style by Marx, W. David 
Hiroshi Fujiwara: Fragment by Sarah Lerfel and Ino Hidefum

Black Lives Matter In Japan – A Look At The Language

Japanese Reading Difficulty

10/12 Could be read by 10th grade level student in Japan

Themes

Black Lives Matter

Text Type

Social Media Posts

Black Lives Matter sparked some serious debate in Japanese media and social media. Here are some of the texts we found, both supportive of the movement and critical of the movement. 

Cocoalizzy

Cocoa Lizzy posted a series of insightful video entries on her Instagram. She highlighted several examples of her own experiences of racism in Japan as a black Japanese person in this post

Here is a translation of an excerpt:

 

私も日本にいるころはバイトをしていた時も黒人からものを買いたくないからあの子をやめさせてほしいと言われたこともあるし

When I was doing a casual job in Japan I had someone say “I don’t want to buy stuff from a black person, you should get rid of her”. 

黒人だからお客さん怖がらさせてしまうかもしれないから君はレストランで働けないかなって言われたこともあるし、

At a restaurant someone told me “I don’t think you could work here because you’re black and you may scare the customers”.

でもまだよかった方

But really that’s the least of it

こっちでは肌の色だけで殺されたり捕まっちゃったりとかする人もいて

Over here there are people who are killed or arrested 

もしかして日本人のみんなはこれがただの黒人と白人の戦いと思っているかもしれないだけど、

And Japanese people might just think that’s just some fight between black people and white people

違くてこのこういう人たちこういうブラックの人たちが世界的に弱い立場にいることをどう思いますか。

But, from a distance, what do you think about the fact that black people are in this position of weakness?

という。考えてくれていますか。Are you thinking about these things?

皆はこれが違うって沢山の人が立ち上がっているのね。

There are a lot of people who think things have to change that are standing up.

 

だからあなたが黒人か、白人か、日本人かとかは関係なくあなたはこの状況をどう思いますかっていうこと

So whether you are black, white, Japanese it doesn’t matter, it’s what you think about the situation.

でもし皆の好きな歌手が黒人で皆その人の歌を聞いていて

But if people have a singer that they like and listen to

今もその人が生まれてときから今までもずっと黒人として扱われていて

And that person had been treated as a black person from the moment they had been born

その人達がSOSを出しているとき皆はただ見てみぬフリをするのかそこで私達は一緒の人間だって、

And if that person was putting out an SOS signal, would you act like you had seen nothing or would you acknowledge that they have the same humanity as you.

肌の色で扱いが変わることはおかしいって立ち上がる人がもっともっといてくれていいじゃないか

Wouldn’t  it be great if there were many many more people that stood up to the idea of changing the way you treat people according to the color of their skin?

 

Twittersphere

Across twitter there were a lot of comments. We don’t want to give too much air to people espousing more or less racist views, but it is important to acknowledge the debate that is happening. Here is a selection of some of the posts we saw:

 

Tweet:

日本人は黒人を差別したことはありません。

Japanese people have never been racist towards black people.

 

日本で黒人が殺されたことあるの?

日本で黒人って理由で入店拒否されたことあるの?差別してないよね!

Has there ever been a black person murdered in Japan?

Has there ever been a black person that has beef refused entry to a shop? Really, we don’t racially vilify do we?

 

Melissa Luna:

私たちが受けてきた差別は全部デタラメだったんですね?

いかに自己中心的で盲目なのかが伝わります。これがマジョリティの特権。

So all the racism we have experienced is just a load of rubbish right?

It is clear just how self centered and non-seeing the people writing these comments are. This is the privilege of the majority.

 

Tweet:

日本人がコロナ対策のために『三密』を避けて頑張ってるのに、日本人の命はどうでもいいのでしょうか?

Japanese people are doing everything they can to go social distance and fight the coronavirus. But I guess Japanse lives aren’t worth anything right?

 

宇多田ヒカル Tweet

 

日本で生まれ育った日本人からすると人種差別っていまいちピンと来ないかもしれないけど、今アメリカで起きていることは未来の世界史に載るような歴史的な局面かもしれない…というかそうであってほしい

To people who are born and raised in Japan, racism may seem like they have no connection to. What is happening in America may be a historic moment in the future…it least that’s how I hope this may be.

 

Tweet

ここは日本。

『日本人の命は大切だ!』

明日は土砂降りになりますようにUmbrella with rain drops

This is Japan. Japanese lives matter!

I hope the rain buckets down on you tomorrow.

 

Tweet

都合良く問題を一般化しないでください。ドイツが難民受け入れを「世界の課題」にしてるのと似ている。

Don’t generalise the problem according to your own agenda. This is like how Germany called the need to accommodate refugees a “world problem”.

 

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ここ数日で黒人に対する見方が本当に変わったわ。黒人とは関わらないようにしよう。

In these past few days my opinion of black people has really changed. I’m going to do my best to not associate with black people.

 

私は、日本で生まれ育った日本人ですが、日本に人種差別がない、なんて小学生の頃から思っていませんでした。近くに在日コリアンの方々がいたし、朝鮮学校もあったし。彼等もずっと差別の中にいると思う。その環境を作ったのは私達日本人。差別は許されない。

I was born and raised in Japan and I’ve never thought for a moment from elementary school onwards that Japan is a country without racism. Around me there were members of the Korean diaspora, and a Korean school. I believe these people have been the subject of ongoing racism. It is us Japanese that have created that environment. There is no place for racism.

 

https://news.yahoo.co.jp/byline/daisukekawasaki/20200607-00182173/

Blogs

 

川崎大助 | 作家 Yahoo

 

この問題は、対岸の火事ではないのだ。遠く離れた大陸での出来事かもしれないが、しかし「日本人だから」という理由で無視していい問題ではない。「日本人も人類の一員」ならば、無視はできない。

This problem isn’t “a fire on the far coast”. This may be something that is happening on a far away continent, but “I’m Japanese” isn’t an excuse to ignore the problem. If Japanese people are just one people within a larger human race, then there is no excuse to turn a blind eye.

 

Ruru Ruriko ピンク 55 Telling Asahi 55

今まで差別について考えたことがなかったり、経験がない人は差別をされる人の気持ちを想像するのは難しいでしょう。そして、日本人が黒人の気持ちや経験を理解することは不可能です。しかし、わからない、知らないでは、このまま一生状況は変わりません。

疑わずに、まず当事者の言葉に耳を傾けてください。

For people who have never had occasion to think about racism, or have never been racially vilified, it is probably difficult to imagine what it must be like to be the subject of racism. But if we keep saying “I don’t understand” or “this is not something I know about” the situation will never change. 

When in doubt, start by lending your ears to those directly affected.

 

Cocoa Lizzy (Part 2)

We’ll end this look at the language around BLM in Japan with 2nd entry by Cocoa Lizzy

白人の特権とみんなの特権 #BLACLIVESMATTER Understanding own privilege

 

さて今日はホワイトwhite privilege (白人の優遇)と私達それぞれのprivilageについて話していきます!最近ドールテストの動画をストーリーに上げたりして、みんなも興味を持ってくれました。沢山の人はまだ肌の色だけで、”怖い” ”強そう” ”危なそう”などのステレオタイプ(思い込み、先入観)があると思います。でもそのステレオタイプを政府や世間、警察に持たれた黒人はアメリカでどのような扱いをされているか考えたことはありますか?黒人である私達は、肌の色のせいだけで、政府から悪いイメージをずっと持たれ、今も普通の生活をしたいだけでも他の人種の人と比べられて公平な支援やサポートをしてもらえません。

Today I would like to go ahead and talk about White privilege, and all of our own privilege. Recently I added a Doll Test video to my story, and people were kind enough to show some interest. I believe there are a lot of people who see black skin and, through stereotyping, think “they look scary” or “ they look strong” or “they look dangerous”. But have you ever thought about how black people in America are treated by a government, a society or a police force that hold this stereotype. For a black person such as myself this means I am looked down on by the government just for the color of my skin. Even now, all I want to do is lead a normal life, but I am compared to people from other ethnic backgrounds and am not offered the same backing or support.

 

逆に私はアジア人だけど、黒人だからイエローとかコロナって呼ばれない。それは私の特権の1つ。1人ずつそれぞれ人種のことから、家族構成、生活において特権や社会的地位は変わってきてしまう。それを当たり前に思い、その特権を持っていない人に対して攻撃する人、政府がまだ世界には沢山あります。自分も気づかずにしているかもしれません。

 

Conversely, I am Asian, but I am black so people don’t call me “yellow” or say “Corona” to me. That is one of the ways that I am privileged. Each person, has their own ethnic background, family make up, way of living that, that can’t help but come to influence their social status. There are still many people, and governments, in the world that believe that this is only natural and are willing to attack others as a result. I may even be guilty of doing the same thing without even being aware of it.

 

人間はすべての人達が同じ権利を人間として持つはずなら、性別、出身地、外見、家族の事だけで下に見られたり、チャンスが無かったり、比べられることは無いはずなのに。私達が自分の特権で今この不公平な世界を作っていて、自分の特権を見つめる事で悲しむ人に寄り添って力になる事ができると思います!

 

If humans are supposed to all have the same human rights, then there shouldn’t be such a thing as drawing comparisons or losing opportunity according to gender,  place of birth, appearance or family background. All of us create this unequal world out of our own place of privilege. But I believe that through gazing into our own privilege, we are able to draw closer to those experiencing hardship and become a force for good.

 

Some Japanese words around racism:

有色人種 ゆうしょくじんしゅ People of Color

人種差別主義者 じんしゅさべつしゅぎしゃ Racist person

黄色人種 おうしょくじんしゅ asian “yellow” race

特権 とっけん privilege

優遇 ゆうぐう privilege

対岸の火事 たいがんのかじ Fire on the far coast

 

See also this videothat aired on NHK during this period that was widely criticised, and later withdrawn, because of it charicaturing of African Americans:

https://youtu.be/WqmII4DuJO0

Which has been abley translated by Japanse For Morons here:

Language Learning Program Reviews

Graded Japanese Reading Practice

Hana Kimura, Her Mother’s Petition and The Rigging of Terrace House

we translate an article from the Shukan Bunshun that outlines how Hana Kimura’s mother, Kyoko Kimura, is petitioning Japan’s broadcasting watchdog to examine how the show Terrace House was set up in a way that ultimately led to Hana’s demise.

Along with the text, we read the article in Japanese, then in English, then sentence by sentence in both languages.

Read More »

Japanoscope is a registered affiliate with several online shops and may receive a commission when you click on some of the links within content.

Who is behind this site?

I’m Peter Joseph Head. I lived in Japan for four years as a student at Kyoto City University of the Arts and on working holiday. I have toured the country six times playing music and speak Japanese (JLPT N1).

ピータージョセフヘッドです。3年間京都市立芸大の大学院として、一年間ワーキングホリデーとして日本に住み、6回日本で音楽ツアーをし、日本語能力試験で1級を取得しました。要するに日本好きです。

Samurai or CEO

Japanese Reading Difficulty

7/12 Could be read by 7th grade level student in Japan

Themes

CEO quotes, Samurai Quotes

Text Type

Quotes

Who said which quote?! Samurai or CEO?! 誰がどの名言を言ったか?!!侍か社長 ?!

 

We’ve translated quotes of famous CEOs and Samurai leaders from hundreds of years ago and mixed them up. Can you tell which said which?

Spoken in English and Japanese.

 

社長と昔の侍の名言を訳して混ぜました。どっちがどっちを言ったか分かりますか。

日本語と英語で話します。

Samurai or CEO?

Answers

Graded Japanese Reading Practice
peterjosephhead@gmail.com

Hana Kimura, Her Mother’s Petition and The Rigging of Terrace House

we translate an article from the Shukan Bunshun that outlines how Hana Kimura’s mother, Kyoko Kimura, is petitioning Japan’s broadcasting watchdog to examine how the show Terrace House was set up in a way that ultimately led to Hana’s demise.

Along with the text, we read the article in Japanese, then in English, then sentence by sentence in both languages.

Read More »

Japanoscope is a registered affiliate with several online shops and may receive a commission when you click on some of the links within content.

Who is behind this site?

I’m Peter Joseph Head. I lived in Japan for four years as a student at Kyoto City University of the Arts and on working holiday. I have toured the country six times playing music and speak Japanese (JLPT N1).

ピータージョセフヘッドです。3年間京都市立芸大の大学院として、一年間ワーキングホリデーとして日本に住み、6回日本で音楽ツアーをし、日本語能力試験で1級を取得しました。要するに日本好きです。

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